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PA > Blog > Architecture News > Earth I Tree by Kengo Kuma Explores Shelter Through Sensory Architecture
Architecture News

Earth I Tree by Kengo Kuma Explores Shelter Through Sensory Architecture

Last updated: April 7, 2026 9:37 am
Pooja Khanna Tyagi
Pooja Khanna Tyagi
ByPooja Khanna Tyagi
Pooja Khanna Tyagi is an India-based architect and design writer. Her work engages with architecture, interiors, materials, and evolving lifestyle narratives, with a focus on translating...
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Earth | Tree by Kengo Kuma
Earth | Tree by Kengo Kuma © CC/KENGOKUMA/LaForgia
Earth | Tree by Kengo Kuma
Earth | Tree by Kengo Kuma
Earth | Tree by Kengo Kuma
© CC/KENGOKUMA/LaForgia
Earth | Tree by Kengo Kuma
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Earth | Tree by Kengo Kuma
Earth | Tree by Kengo Kuma
Earth | Tree by Kengo Kuma
Earth | Tree by Kengo Kuma
Earth | Tree by Kengo Kuma
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Kengo Kuma’s Earth Tree transforms shelter, materiality, and creativity into an immersive architectural experience rooted in nature and memory.

Contents
  • Shelter as Memory
  • Materials That Feel Alive
  • Creativity for Everyone

There is a rare Japanese word for sunlight filtering through tree leaves: Komorebi. Even if many languages don’t have a word for it, the feeling is something almost everyone knows—a quiet sense of comfort, warmth, and being gently held by nature.

Earth | Tree by Kengo Kuma

CCreate is a three-year exhibition program centered on creativity and the act of making. Each year, a leading creative voice is invited to develop an installation that offers visitors a glimpse into their creative process. Spanning disciplines and perspectives, the program explores creativity as a deeply human quality or one that can be awakened, practiced, and strengthened.

This idea takes physical form in Earth Tree, an installation by Kengo Kuma and Kengo Kuma and Associates at CC. Rooted in the primal instinct to seek shelter, the project transforms the memory of standing beneath a tree into an immersive architectural space.

Shelter as Memory

At its core, Earth | Tree explores one of humanity’s oldest needs: shelter. Not in a purely structural sense, but as an emotional and bodily experience. The installation evokes the feeling of being protected under a tree canopy, away from noise, pressure, and the mental weight of daily life. It becomes less about architecture as form and more about architecture as comfort.

Earth | Tree by Kengo Kuma

Materials That Feel Alive

Known for his philosophy of “soft architecture,” Kengo Kuma approaches materials as sensory and cultural carriers. In Earth | Tree, wood and brick are chosen not only for their physical qualities but also for the memories they hold. Wood introduces the scent and warmth of the forest, while brick connects the space to a long architectural lineage. Together, they reflect a shared Japanese and Nordic sensitivity toward nature, tactility, and atmosphere.

Creativity for Everyone

A defining aspect of the installation is its participatory spirit. In the workshop zone, visitors are invited to build, shape, and experiment using sand, wooden blocks, and miniature bricks. Inspired by Kuma’s playful design philosophy, the space encourages making as a universal act. It suggests that creativity is not exclusive to architects; it belongs to anyone willing to engage with materials and imagination.

Earth | Tree by Kengo Kuma
© CC/KENGOKUMA/LaForgia

Earth | Tree is more than an installation; it is a sensory reminder of how architecture can reconnect people with nature, memory, and making. Through light, texture, scent, and interaction, it offers a softer, more human understanding of space, one that invites everyone not just to observe, but to shape the world around them.

Credit: © CCreate / KENGOKUMA / LaForgia

TAGGED:Kengo KumaKengo Kuma & Associatepavilionsensory experience
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ByPooja Khanna Tyagi
Pooja Khanna Tyagi is an India-based architect and design writer. Her work engages with architecture, interiors, materials, and evolving lifestyle narratives, with a focus on translating complex ideas into clear, accessible content. With a minimalist sensibility, she uses writing to simplify design ideas. A graduate of Dr. B.N. College of Architecture, Pune (2000), India, she has been active in the writing domain since 2016. She has contributed to leading publications in India and internationally, bringing together professional insight and a measured, articulate voice.
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