Browsing: Bjarke Ingels Group

The winning proposal by Bjarke Ingels Group (BIG), named ‘Prisma’, is set to revolutionize the Qianhai area in Shenzhen, China. This awe-inspiring project includes a 300-meter-tall residential tower and a 250-meter-tall office tower, both toward the sky at a sleek angle.

Bjarke Ingels Group (BIG) designed the education campus, as part of Esbjerg Island’s Future Vision 2025. This ambitious project is the culmination of the much-anticipated population growth in Esbjerg, making it a hub for education, business, and tourism in the near future.

Uribe Schwarzkopf hired BIG in 2017 to design a 390,000-square-foot mixed-use residential building. The IQON is Bjarke Ingels Group’s first building in South America and the tallest building in the Ecuador capital, Quito.

Bjarke Ingels Group (BIG)’s Twist Museum is located in Kistefos Sculpture Park in Jevnaker, Norway, and crosses the Randselva River with its curve shape.

BIG recently published the first photos of the Vancouver House and Telus Sky skyscrapers in Canada. The two skyscrapers, like “yin and yang”, adopt a complementary curved shape.

The environmentally sustainable and architecturally striking 100-homes community unites robotics, software tech and advanced material technologies. The project aims to support house crisis at Austin and surrounding area.

Designed by BIG (Bjarke Ingels Group) and CRA (Carlo Ratti Associati), CapitaSpring is Singapore’s 280-meter-tall high-rise biophilic skyscraper, considered among the city’s tallest structures completed after 4 years of construction.

BIG and HOK have won a two-stage international design contest to create Zurich Airport’s Dock A, the largest dock in the Zurich Airport.

Designed by BIG – Bjarke Ingels Group and Heatherwick Studios, this campus by Google is a new beginning and inception of empowering the workforce with a thoughtful, conducive and healthy work environment.

Bjarke Ingels, as a trendsetter in architecture, delivers vibrant playful settings as the essential but neglected part of the human experience in built environments. He believes in the idea of information-driven design as the driving force for his design process, based on careful analysis of numerous criteria such as local culture and climate, everchanging patterns of contemporary life, and the ebbs and flows of the global economy.